A Late Frame, for two percussionists and two pianists, 2019, 8’
written for the 2019 Yarn/Wire Institute
Deconstruction, for two percussionists and electronics, 2019, 10’
Lines, Breaks, and White Spaces, for string quartet, 2019, 22’
written for the JACK Quartet
for tenor sax, vibraphone, piano, and electric guitar, 2018, 7'
          written for Hypercube
Fractured Matter, for clarinet, percussion, and violin, 2018, 6'
          written for F-PLUS
Evening, in the Open Air, for flute, clarinet, vibraphone, piano, violin, and cello, 2017, 8'
          written for the 2017 Norfolk New Music Workshop
          selected for the 2018 Mise-En New Music Festival
Embrace, for flute, guitar, and violin, 2017, 3'
          various instrumental combinations available
Khalseh, for mallet sextet, 2017, 5'30"
Nothing Gold Can Stay, for 2 percussionists and 2 pianists, 2016, 11'
          written for Yarn/Wire
          finalist of the 2017 ASCAP Morton Gould Young Composers Awards
Where, for Bb clarinet, alto saxophone, and piano, 2015, 9'
          written for the 2015 Fresh Inc Festival
Oh, Heart!, for flute, clarinet, piano, violin, and cello, 2015, 15'
          written for the Lontano Ensemble
Moments, for string quartet, 2014, 10'
          written for the Momenta Quartet
Bura, for string quartet, 2014, 8'


Your Plaintive Anthem, for soprano, flute, bass clarinet / clarinet, piano, violin, viola, and cello, 2018, 12’
The Sea Called
, for female vocal ensemble, 2018, 5'
          written for the Lorelei Ensemble
Prelude to Water Melody, for soprano, suona, erhu, pipa, guzheng, and piano, 2017, 6'
Separate Realities, for soprano, viola, and fixed electronics, 2016, 18'
          written for Stacey Geyer and Stephanie Griffin
          awarded honorable mention in the 2017 Brian M. Israel Prize
Love's Lost Words, for mezzo soprano, cello, and piano, 2016, 9'
          written for Lindsay Brown
Vhev, for 2 sopranos, 2 altos, tenor, 2 baritones, and bass, 2015, 5'
          written for Roomful of Teeth


Deconstruction, for two percussionists and electronics, 2019, 10’
, for fixed electronics and dancers, 2019, 20’
written for Gabrielle Lamb, choreographer, and Pigeonwing Dance
Separate Realities
, for soprano, viola, and fixed electronics, 2016, 18'
In a Crystal Casket, for tape, 2015, 4'
Numbers, for tape, 2013, 2'


Peace, O Lord, for men's choir, 2018, 4'
          commissioned by the St. Vladimir's Seminary Men's Octet
The Divine Image, for women's choir, 2017, 3'
Magnificat, for Soprano and Tenor soloists, SATB choir, and organ, 2015, 5'
On a mountain, for SATB choir, 2014, 3'

Large Ensemble:

Tiled Fields, for chamber orchestra, 2019, 10’
written for the Raleigh Civic Chamber Orchestra - - 2 perc - pno - str
Only Breath
, for string orchestra, 2018, 8'
          written for the 2018 Next Festival for Emerging Artists
Saturno y su hijo, for orchestra, 2015, 8'30"
Bonaca, for wind ensemble, 2014, 3'30"

Solo and Duo:

By the Light of Day, for solo flute, 2016, 4'
Night Music, for solo organ, 2015, 4'30"
Phrases, for solo violin, 2014, 3'
Brothers, for two violins, 2013, 2'30"
Las galerías, for solo piano, 2013, 6'30"
Lugares, for solo guitar, 2013, 7'30"